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THE ART OF CONTRAST IN RHETORİC BOOKS
BELÂGAT KİTAPLARINDA MUTABAKAT (TEZÂT) SANATI

Author : Muhittin ELİAÇIK
Number of pages : 37-49

Abstract

The books of rhetoric consist of three chapters as meani, beyan, and bedi; and literary arts are explained in the chapter of bedi. Literary arts in that chapter of bedi are studied in two groups as literary arts and meaning; the art of contrast which is named as tibak, mutabakat, tatbik is in the first place. This art, recently located with name of contrast in textbooks; has taken place as tibak and mutabakat from the oldest rhetoric books in point of classification and description, and has been in compliance with to early rhetoric books. The fact that literary art was given different names in the rhetoric books was caused under the influence of books of Western rhetoric understanding which were largely developed after Tanzimat. Within the first rhetoric books and its followers, this art was named as tibak and mutabakat, later books written after Tanzimat used the word contrast. However, the substitution of tibak (meaning conformity) with the word tezat (meaning contrast) is a situation that needs an explanation. Mutabakat, tıbak, tatbik terms have been used in the sense of providing a harmony between opposites brought together. The root of the verb encompasses the meaning of the stepping of the horse's hindlegs on the place where its front legs step, so it means the front-back contrast. On the other hand, classification of this art could be made in different clusters. In this regard, it is important to investigate this art from books of rhetoric to reveal in comparative format. In this article, certain rhetoric books have been scanned, and the definition and classification of mutabakat art in a comparative format has been demonstrated.

Keywords

Mutabakat, contrast, literary art, rhetoric, comparison.

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