PLACE OF THE PENNAME IN THE GAZEL AND PENNAME USE AS A REDİF
GAZELLERDE MAHLASIN YERİ VE MAHLASIN REDİF OLARAK KULLANILMASI

Author : İlyas KAYAOKAY
Number of pages : 139-161

Abstract

This article is basically divided into two parts. In the first part, information is given about couplets in which the villages are used in gazel. In the second part; Information about the processing of penname as redif is given as a different mahlas use case. The reason for preferring the ophthalmic variant as the species to be studied; Because of the more traditional use of the penname in the gardens. The penname in the gardens are usually mentioned once in many times, usually once. However, it is also seen that more than one use of the mahlas is used in different couplets other than the maxilla. It is understood that these uses are largely consciously preferred from unconscious practices. The fact that the poets use the repertoire as a redif has attracted attention as a more original structure within the tradition of divan literature. In general, we can interpret these different uses of the mahlas as poets' attempts to break the perception of tradition, to attract attention, and to bring innovation. The findings obtained in this study were obtained as a result of examining the gazel section of 519 divans. This study aims to better understand the tradition of penname which has an important place in divan literature.  

Keywords

Gazel, Penname, Redif, Matla, Hüsn-i tahallus

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