THE STUDY ABOUT FIRST TWO LINES OF NÂİLÎ’S REPEATED VOICE ODE IN TERMS OF MEÂNÎ THEORY
NÂİLÎ’NİN HEP REDİFLİ GAZELİNİN İLK İKİ BEYTİNİ MEÂNÎ İLMİ AÇISINDAN İNCELEME DENEMESİ

Author : Göksel POLAT -& Gülcan ALICI
Number of pages : 234-241

Abstract

Rhetoric is the manner of expression of a thought and sensation clearly and fluidly. Classical rhetoric consists of the complete kadrosun fesâhat, me'ânî, beyân and bedi '. Fesâhat, the word is perfect, in terms of meaning and harmony. Beyân talks about the methods and the bases of expressing a meaning in different ways. Bedi speaks beliefs about the methods and beauties of expression.Meani which is the subdivision of rhetoric, is the science of the use of the word in its proper place and of the expression of the speaker’s or listener’s feelings. It also shows us the language’s changes which comes to real according to grammar. Meani has some subdivisions. These subdivisions are news’s imputation prose’s imputation and the situation of the verb in the sentence the sentence’s contributive elements, abbreviation, extension. It will be treid to examine the first and second couple of Nâilî’s poem which is called “hep redifli gazel” from the perspective of meani. First it will be tried to figure out speaker and listener. Second it will be explained that speaker how he explains his feelings. We will have determined whether the word is spoken, considering the readiness of the mind of the client. We will try to explain this finding based on the keywords and word groups in the text. Thus, we will have completed the examination of the limitations we have limited to two couplets in the framework of the scientific knowledge.

Keywords

Rhetoric, meânî, examine, Nâilî, hep redif of ghazal

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