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KONUŞMA EĞİTİMİ VE RETORİK SANATININ İLETİŞİMDEKİ ÖNEMİ ÜZERİNĖ, 28-54
ON THE IMPORTANCE OF SPEAKING TRAINING AND RHETORIC ART IN COMMUNICATION
http://dx.doi.org/10.29228/ijla.39932
Nurullah ULUTAŞ
Abstract
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HALDUN TANER’İN GÜNÜN ADAMI ADLI OYUNUNDA İKTİDAR-AYDIN İLİŞKİSİ̇, 519-531
THE POWER-İNTELLECTUAL RELATİON İN THE THEATER PLAY OF HALDUN TANER'S MAN OF THE DAY
http://dx.doi.org/10.18033/ijla.3960
Nurullah ULUTAŞ -& İlayda AYDIN
Abstract
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GEORGE ORWELL’İN ESERLERİNDE GÖZETİM TOPLUMU VE İKTİDAR ELEŞTİRİSİ̇, 1-11
SURVEILLANCE SOCIETY AND POWER CRITICISM IN GEORGE ORWELL’S WORKS
http://dx.doi.org/10.18033/ijla.3939
Nurullah ULUTAŞ -& İlayda AYDIN
Abstract
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TURGAY NAR'IN TİYATRO OYUNLARINDA GÖZETİM TOPLUMU VE İKTİDAR ELEŞTİRİSİ̇, 522-539
CRITICISM TOWARDS SURVEILLANCE SOCIETY AND POWER IN TURGAY NAR'S THEATRE PLAYS
http://dx.doi.org/10.18033/ijla.3900
Nurullah ULUTAŞ
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MODERN ORIENTATIONS IN TEACHING TURKİSH AS A FOREIGN LANGUAGE: EXAMPLE OF MOSTAṘ, 328-336
YABANCILARA TÜRKÇE ÖĞRETİMİNDE ÇAĞDAŞ YÖNELİMLER: MOSTAR ÖRNEĞİ
http://dx.doi.org/10.18033/ijla.3874
Nurullah ULUTAŞ
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BOSNA’DA ÇIKAN VATAN GAZETESİNDEKİ TÜRKÇE ŞİİRLER ÜZERİNE BİR İNCELEMĖ, 230-265
ANALYSIS ON TURKISH POEMS IN VATAN NEWSPAPER PUBLISHED IN BOSNIA IN TERMS OF STRUCTURE AND THEME
http://dx.doi.org/10.18033/ijla.3763
Nurullah ULUTAŞ -& Murat KEKLİK
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DEDE KORKUT HİKÂYELERİNDEN ÇAĞDAŞ TÜRK TİYATROSUNA “TEPEGÖZ” MOTİFİ̇, 307-318
THE MOTIF "TEPEGÖZ" FROM DEDE KORKUT STORIES TO MODERN TURKISH THEATRE
http://dx.doi.org/10.18033/ijla.3750
Nurullah ULUTAŞ
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KÜLTÜREL BİR SEMBOLÜN KALKINMA UNSURU OLARAK SUNULMASI: “MALAZGİRT”̇, 36-48
PRESENTATION OF A CULTURAL SYMBOL "MANZIKERT" AS A DEVELOPMENT FACTOR
http://dx.doi.org/10.18033/ijla.433
Nurullah ULUTAŞ
Abstract
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